EYES OF THE PELICANS – Pelican oil painting parable on canvas
$95 – $12,000
EYES – Windows through which to see the world with … both friend and foe alike.
For interested buyers, don’t hesitate to ask at this link for a “First in first serve” acquisition of the framed original or number 1 of 25 limited edition acrylic enhanced reproductions.
I became intrigued by the pelican’s functions and family dynamics while watching them cruise the graceful flight paths of the In the South West and Kimberly Regions of West Australia. Watching them feeding, sleeping and flocking together fascinated my inquiring mind. I had to know more.
In 1995, I spotted a beautiful image within a story in the Australian Geographic magazine and realized it was taken by a photography friend Mike Langsford* from Queenstown, New Zealand. The image became the foundation for this Pelican oil painting parable.
The painting was technically challenging capturing the drama I saw. How could I create “depth of field”** in painting the parable concentrating on the eye as a center of attention?
Why the eye? Images are seen by eyes and decisions are made from perceptions of what is seen. This revelation of perception inspired me to question the decision-making process in what I saw.
* Used with permission
** Depth of field is a photographic term for in-focus area giving a 3D effect
The unhappy parabolic oil painting artist and a frightened seagull
I wasn’t happy with the way the frightened gull’s wings positioned in Mikes original photo.
Choosing Goat Island Marine Reserve, New Zealand as a good spot to photograph frenzied gulls feasting over morsels of bread while in the flight I took my mother in tow I had her throw bread in the air for gulls to devour. With the camera pointed toward the heavens, I lay on the ground and called, 1, 2, 3, instructions to my mother. You guested it compliant to her first son’s orders she heaved morsels of bread skyward and within minutes I had more than enough images for my reframing in mikes original shot. The image I wanted was winging in a dramatic state of powerful forward movement.
A developing story
I set a challenge to create areas of black without using black paint and paint a smooth blended airbrush effect using oils with brush strokes.
Ask me the technique and I will tell you.
As is my habit, while developing a story I research as much as necessary knowledge about the subject. In this case, my good teacher Google did not let me down in discovering this amazing creature, the Pelican.
Then came this diversion, like a twist in the parable. The bill/beak and pouch are like a car. When we go shopping for food we put our goods in the boot to take home and then separate them into different receptacles for use later. The foods purpose will sustain and fuel our bodies needs.
The pelican uses its bill to capture food to transport into its pouch for separation to different regions in its body. The digestion chemicals break down the food and converts into fuels sustaining energy for living. These are essential life purposes for Pelicans, reflecting ours … to seek, collect, store, eat and convert food to energy as our necessary physical life source.
Back to the main parable in the painting, I asked this question;
Why was the seagull frightened?
1 – Was the pelican attacking the seagull for being in the pelican’s safe space?
2 – Was the seagull frightened, (unnecessarily), while the pelican washed its bill and pouch, an act of Pelican domestics.
3 – Was the Pelican masterly devouring unseen fish for dinner with no interest in the seagull?
I will never know, but the truth is the seagull was frightened. Only one genuine reason of the 3 thoughts was worth the Seagull being afraid.
Parables in the painting
I reasoned, there are times when unreasonable fears invade our heart and we don’t know what is a good fear to take notice of or bad fear to reject. This is part of seeing both externally and internally. The natural eyes see the world, the eyes of the heart image ideas perceived and the eyes of the spiritual want to live without dying.
Therefore, eyes are necessary to see for making a choice.
Eyes need light to see. How you perceive and take action differs according to the eyes of your heart. Natural light for seeing the outer, inner light (kindness, fearlessness, wisdom, optimism) or dark light (fear, bad memories, shame, guilt) which counsel the heart to take some course of action.
What were the seagulls motive to fly off?
I discovered, “The greatest gift God gave to man is not sight, it is vision because sight is a function of the eyes which see outwardly and vision is a function of the heart which see inwardly and spiritually, revealing the true essence of our human spirit”.
Dysfunctional hearts fear incorrectly. Impaired interpretation comes from dysfunction.
A truly functional and healthy heart makes decisions on correct interpretation of vision. That is named wisdom.
True wisdom only happens in the fullness of knowing the creator who created vision in the beginning. His vision within always guides into emotional intelligence for making right choices, despite what happens outwardly.
So at the end of this painting journey, I discovered the parable crosses all nationalities, cultures, religions and political ideologies. No language will ever hide the images of the human heart.
I also discovered Pelicans are worldwide, and the logical conclusion is that this oil painting of wildlife could find a place interior decorating anywhere from Sydney Australia, New York, Moscow, Beijing, Paris, London where any good Australian expat may find a home.
STATUS and MATERIALS
ORIGINAL FOR SALE. * Bid or tender for the original artwork. All offers considered above $12,000
Artist oils on stretched, gesso primed cotton canvas. Gloss dammar varnish protection. Handcrafted, gutter mount NZ Pinus Radiata frame on NZ particleboard.
* Original and Limited Edition reproductions are supplied with Provenance, coded Authentication of Sale Certificate and maintenance/care information.
25 LIMITED EDITIONS “ACRYLIC ENHANCED” CANVAS REPRODUCTIONS
Please ask about the price and sizes.
75 LIMITED EDITIONS CANVAS REPRODUCTIONS *
Unframed sizes | 960 x short side – $1150 | 650 x short side – $925
Printed on long-life archival canvas. Protected with two coats of UV archival spray.
* Stretch mounted reproductions will incur added charges for mounting and freight.
OPEN EDITION POSTER ART PRINTS *
Unframed sizes | 594 x short side – $145 | 420 x short side – $95
* Posters printed on fine art papers and treated with two coats of UV archival spray.
FASHION and PRODUCTS
- Includes insurance and package/handling fees.
- The Original and Limited Edition reproductions ship with the Provenance coded Authentication of Sale Certificate and maintenance information.
- Poster art prints ship in insured tubes.
• Molly Morpeth Canaday Art Awards, NZ – Popular Choice Award
• Birkenhead Licensing Trust Art Awards, NZ – Tony Gilmour Memorial Award
• Mairangi Art Awards, NZ – Highly Commended
• Great Summer Holiday Art Awards, NZ – Merit Award
• Artivita International Art, Honorable Mention, USA